Re: Navarro: What makes him great?
Posted: Sun Feb 12, 2023 9:25 am
Then Rob Zombie started making all those crummy movies.
The Jane's Addiction Discussion Forum
http://www.aintnoright.org/
Haha. I remember watching that and being disbelief how bad it was. That performance single handedly ensured I never saw them live. Not that I would have cared to anyway.Tyler Durden wrote: ↑Sun Feb 12, 2023 8:49 amI liked White Zombie when they were a noise rock band in the NYC underground. And when they evolved into alt metal, I dug the two studio albums they made for Geffen. But during the early to mid 90s, they were a pretty weak live act. They had an infamously bad performance at one of the MTV Awards. And Rob Zombie can’t sing live.
As for The Panic Channel, they might’ve had a fighting chance during the post-grunge rock movement of the mid to late 90s…but they were about 10 years too late; they sounded dated as fuck. Even in 1997, when this kind of music was popular, I wouldn’t have been down with it. By the numbers “alternative rock”, made for radio and to sell a shit ton of CDs within a relatively short window. Post-grunge, nu metal, pop-punk, etc…the late 90s was such a lame time for rock music. There was some good rock music at the time…but it was mostly a tsunami of shit.
Yup. This is really embarrassing. Worse than if him and Chaney called up Steve Issacs for a Panic Channel reunion (w/Josh Freese on drums).
Yes, Perkins is also responsible. However, they did care about what they were putting out. They were frustrated with Perry and wanted to be a mainstream rock band making lots of money. They felt like they had a better opportunity to do that with Steve Isaacs.lucio wrote: ↑Thu Feb 16, 2023 2:17 pmEarly 90s alternative better than late 90s. Starting getting worse from 1996-7 on.
I think the Panic Channel was a way for them make a fast buck off the record label advance money and then not really care about what they put out. Perkins is also to blame for the bad music on Panic Channel.
They didn't want the album to sound like that. Capitol brought in some hot shot mixer (Tom Lord-Alge I think?) at some ridiculous expense after the album was already done to make it one of those big fluffy nu-metal/post-grunge albums that was in style at the time.lucio wrote: ↑Thu Feb 16, 2023 2:17 pmEarly 90s alternative better than late 90s. Starting getting worse from 1996-7 on.
I think the Panic Channel was a way for them make a fast buck off the record label advance money and then not really care about what they put out. Perkins is also to blame for the bad music on Panic Channel.
I think it's strange you would still quote Etty Farrell all these years later, Hoka. Especially after you admitted that she had been feeding you lies about the band.Hokahey wrote: ↑Thu Feb 16, 2023 2:56 pmYes, Perkins is also responsible. However, they did care about what they were putting out. They were frustrated with Perry and wanted to be a mainstream rock band making lots of money. They felt like they had a better opportunity to do that with Steve Isaacs.lucio wrote: ↑Thu Feb 16, 2023 2:17 pmEarly 90s alternative better than late 90s. Starting getting worse from 1996-7 on.
I think the Panic Channel was a way for them make a fast buck off the record label advance money and then not really care about what they put out. Perkins is also to blame for the bad music on Panic Channel.
the TPC demos were not wildly different from what made the album. The songs were fundamentally commercial from the jump and the mixing decisions made later were more or less irrelevantSix7Six7 wrote: ↑Thu Feb 16, 2023 3:29 pmThey didn't want the album to sound like that. Capitol brought in some hot shot mixer (Tom Lord-Alge I think?) at some ridiculous expense after the album was already done to make it one of those big fluffy nu-metal/post-grunge albums that was in style at the time.lucio wrote: ↑Thu Feb 16, 2023 2:17 pmEarly 90s alternative better than late 90s. Starting getting worse from 1996-7 on.
I think the Panic Channel was a way for them make a fast buck off the record label advance money and then not really care about what they put out. Perkins is also to blame for the bad music on Panic Channel.
They weren't happy about it. But couldn't fight the big Capitol machine.
Much like the Hypersonic demos were better than Strays, the TPC demos were better too.
Somewhat ironically, Etty never said anything like that. It was literally every single other person both in and surrounding the bands.Six7Six7 wrote: ↑Thu Feb 16, 2023 3:31 pmI think it's strange you would still quote Etty Farrell all these years later, Hoka. Especially after you admitted that she had been feeding you lies about the band.Hokahey wrote: ↑Thu Feb 16, 2023 2:56 pmYes, Perkins is also responsible. However, they did care about what they were putting out. They were frustrated with Perry and wanted to be a mainstream rock band making lots of money. They felt like they had a better opportunity to do that with Steve Isaacs.lucio wrote: ↑Thu Feb 16, 2023 2:17 pmEarly 90s alternative better than late 90s. Starting getting worse from 1996-7 on.
I think the Panic Channel was a way for them make a fast buck off the record label advance money and then not really care about what they put out. Perkins is also to blame for the bad music on Panic Channel.
Exactly.Noonesshocking wrote: ↑Thu Feb 16, 2023 4:06 pmthe TPC demos were not wildly different from what made the album. The songs were fundamentally commercial from the jump and the mixing decisions made later were more or less irrelevantSix7Six7 wrote: ↑Thu Feb 16, 2023 3:29 pmThey didn't want the album to sound like that. Capitol brought in some hot shot mixer (Tom Lord-Alge I think?) at some ridiculous expense after the album was already done to make it one of those big fluffy nu-metal/post-grunge albums that was in style at the time.lucio wrote: ↑Thu Feb 16, 2023 2:17 pmEarly 90s alternative better than late 90s. Starting getting worse from 1996-7 on.
I think the Panic Channel was a way for them make a fast buck off the record label advance money and then not really care about what they put out. Perkins is also to blame for the bad music on Panic Channel.
They weren't happy about it. But couldn't fight the big Capitol machine.
Much like the Hypersonic demos were better than Strays, the TPC demos were better too.
There was stuff I liked on SP. Perfect example of a band’s aesthetic being huge impediment though. That horrendous cover really colored the listening experience, and they looked like idiots onstage.Hokahey wrote: ↑Fri Feb 17, 2023 8:35 amExactly.Noonesshocking wrote: ↑Thu Feb 16, 2023 4:06 pmthe TPC demos were not wildly different from what made the album. The songs were fundamentally commercial from the jump and the mixing decisions made later were more or less irrelevantSix7Six7 wrote: ↑Thu Feb 16, 2023 3:29 pmThey didn't want the album to sound like that. Capitol brought in some hot shot mixer (Tom Lord-Alge I think?) at some ridiculous expense after the album was already done to make it one of those big fluffy nu-metal/post-grunge albums that was in style at the time.lucio wrote: ↑Thu Feb 16, 2023 2:17 pmEarly 90s alternative better than late 90s. Starting getting worse from 1996-7 on.
I think the Panic Channel was a way for them make a fast buck off the record label advance money and then not really care about what they put out. Perkins is also to blame for the bad music on Panic Channel.
They weren't happy about it. But couldn't fight the big Capitol machine.
Much like the Hypersonic demos were better than Strays, the TPC demos were better too.
And say what you will about Satellite Party, but it was at least distinctively Perry and was not a cynical attempt at mainstream success.
Aerosmith?Hokahey wrote: ↑Fri Feb 17, 2023 8:34 amSomewhat ironically, Etty never said anything like that. It was literally every single other person both in and surrounding the bands.Six7Six7 wrote: ↑Thu Feb 16, 2023 3:31 pmI think it's strange you would still quote Etty Farrell all these years later, Hoka. Especially after you admitted that she had been feeding you lies about the band.Hokahey wrote: ↑Thu Feb 16, 2023 2:56 pmYes, Perkins is also responsible. However, they did care about what they were putting out. They were frustrated with Perry and wanted to be a mainstream rock band making lots of money. They felt like they had a better opportunity to do that with Steve Isaacs.lucio wrote: ↑Thu Feb 16, 2023 2:17 pmEarly 90s alternative better than late 90s. Starting getting worse from 1996-7 on.
I think the Panic Channel was a way for them make a fast buck off the record label advance money and then not really care about what they put out. Perkins is also to blame for the bad music on Panic Channel.
Multiple people said the band felt like they could be like Aerosmith. It was apparent that was said repeatedly.
They were well aware it would be perceived as replacing Perry if they did that instead of being their own unique band with a non celeb front man.Six7Six7 wrote: ↑Fri Feb 17, 2023 9:38 amAerosmith?Hokahey wrote: ↑Fri Feb 17, 2023 8:34 amSomewhat ironically, Etty never said anything like that. It was literally every single other person both in and surrounding the bands.Six7Six7 wrote: ↑Thu Feb 16, 2023 3:31 pmI think it's strange you would still quote Etty Farrell all these years later, Hoka. Especially after you admitted that she had been feeding you lies about the band.Hokahey wrote: ↑Thu Feb 16, 2023 2:56 pmYes, Perkins is also responsible. However, they did care about what they were putting out. They were frustrated with Perry and wanted to be a mainstream rock band making lots of money. They felt like they had a better opportunity to do that with Steve Isaacs.lucio wrote: ↑Thu Feb 16, 2023 2:17 pmEarly 90s alternative better than late 90s. Starting getting worse from 1996-7 on.
I think the Panic Channel was a way for them make a fast buck off the record label advance money and then not really care about what they put out. Perkins is also to blame for the bad music on Panic Channel.
Multiple people said the band felt like they could be like Aerosmith. It was apparent that was said repeatedly.
And you think the logical path to being the next Aerosmith is to cast aside your Rolodex with the names of hundreds of known platinum-selling rockstars and instead ask your manager's former VJ boyfriend to jam in your garage?
You'll have to excuse me if their actions somehow don't match the picture you're painting.
It sounds more like you're describing Velvet Revolver. And at least with them their actions in auditioning professional singers actually match the desired outcome.