#380
Post
by rockout » Thu Oct 13, 2011 5:40 pm
Here's my take after two listens:
1. Underground: Well produced but weak verse riff. Chorus is great. Nice perk percussion breakdown. Favorite track on the album.
2. End to the Lies: Excellent, ambitious guitar layering.
3. Curiosity Kills: Song Yet to Be Sung vocals on verse. The chorus is bad on two levels: pop harmonics & yet fails to settle on a hook. I love the clean guitar sound on the breakdown, but the guitar solo is boring. Song not worth the effort in producing.
4. Irresistible Force: Love the Robert Smith intro to the chorus, the only-guitar part. I also love the breakdown (sounds like a guitar, I’m not sure), but the guitar solo sounds like it should come from an action scene in Braveheart. Cheesy. Overall, some interesting sonic textures, but a boring song.
5. I’ll Hit You Back: Siouxsie sounding, fun verse. Thick, rocking texture on guitar chorus. Love Perry on the chorus. This song grew on me in the course of my first listen. Vying for my favorite track with Underground.
6. Twisted Tales: Depeche Mode synth beginning. Perry on the verse is the only interesting element. Chorus is boring. Song doesn’t really land. Breakdown is totally uninspired. Jesus guys, how does it work that you’re talented enough to come up with amazing music, but you listen to something so pedestrian as the breakdown, and you think—‘okay, that’s good enough’.
7. Ultimate Reason: Garage song. Could do without the big production. Then it would be more honest. Honestly sucky.
8. Splash a Little Water On It: Initial guitar—White Lion, When the Children Cry. Guitar solo is cock rock. Song not good, or very interesting.
9. Broken people. Sounds like everyone is drunk and hugging. Guess that’s okay. Could turn annoying. Maybe a little too simple.
10. Words Right Out of My Mouth: Moronic.